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Although the artist claims to be apolitical, this series showing art as a hand able to caress and punch at the same time certainly had a critical meaning in the context where it was presented. Szijarto developed several versions on this series, mainly using hands, fingers and nails, but also a burning cigarette on the side of which the word art slowly vanished as the tobacco and paper turned into ash.

In the photo series, also on view in acb NA, the artist stands in front of a mirror, gradually wrapping his entire head with gauze and painting on himself with black ink. Only after a few phase photos does the viewer discover a tricky inversion of the scene; it is not the artist who is photographed, but his reflection in the mirror.